I have a loooong, much-meditated on bit of writing to accompany this one to the effect of what I as a performer REALLY think of all those beautiful people I weasel money out of, but it's still taking shape and will probably hit articulation sometime when the art is finished.
Still struggling with the eyes, although they're not as bad as the soulless pits my camera makes them out to be in the shot.
Holding this facial expression so I could use it as a reference with the mirror was hilarious. I didn't even know cheek muscles could cramp.
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