My cold joining technical sample for class- flanges, rivets, and jump rings integrated into a single piece.
I like the overall finished piece- but the technical aspect of it is pretty fucking awful. I made the painfully uninformed error of making my flanges out of brass and trying to attach them to copper- of course the copper bent as soon as I applied pressure, and I wound up just soldering the failed flanges together. Stupid flanges.
The rivets were equally barely saved by the skin of my fingers. Even with large gauge wire I couldn't get the ends flat and most of them bent on the back. Sawing tiny bits of wire was an exercise in frustration, too. And I learned real quickly that once one attempted rivet breaks off, you're going to have to get hella creative about fixing the piece. The only thing that really worked was the jump rings, and I feel like you have to be pretty inept to fuck up jump rings.
But enough kvetching about the process- I brought it home and took a mini-photo-shoot while thinking about my concept and where I can take this idea.
I'm attracted to the tension between the vulnerability I feel under a mask and its intended role as a protective item.
There's also the aspect of the mask taking on the qualities of the being it represents- this one started to look like an owl about half way through, and I started shaping the nose piece to reflect that.
I threaded some satin ribbon I had through it to juxtapose with the sharp edges (and it is sharp, I'm deriving a lot of joy from filing things to a point right now) to play with that protection/vulnerable angle.
I want to keep deliberately incorporating the means of attachment to the face into the design.
I also want to work with seamlessly integrating pieces into the existing shape of my body.
Creating an emotion to wear clearly and broadcast in metal.
And allowing art to speak through my body.
I'm still feeling out where I want to take some of these ideas, but I have a much better idea of what my medium is capable after doing this.