Screenprinting in cold weather SUCKS. Half the fun of screenprinting is getting to splash around lots of water when I clean out my screens. It becomes the exact opposite of fun when I'm working with cold, congealed inks that clog up my screen and take twice as long to wash out using cold water. Luckily, Michael left their coffee maker for heating liver of sulfur in the garage, so I've been heating water that way, but it still bites (and continues to take twice the time).
So the very self-motivated reason I finally got around to slapping that fish on a shirt was because I couldn't find anything to go with my new black pants when I was getting dressed this morning. That new Ryonet ink Chriset gave me is REALLY thick, so I thinned it down with silkscreening medium first and it flowed a lot better. I need to get fuckloads of medium if I'm going to keep using it, though.
Here's the newsprint test run I did last night in a fit of creative frustration (I haven't screenprinted anything in weeks because it's COLD and I'm a WIMP and I work in the studio all the time now anyways). I kind of like the halo of what I assume to be oil seeping into the newsprint, so I think I'll print a series on more absorbent paper and experiment with some color elements to make the fish more interesting. I'm really proud of this design because it's the first thing resembling concrete digital design work I've screenprinted and that is kind of cool.
I'm going to throw this on because it'll be done drying by the time I finish writing and get my ass to the metal studio, where I should have been hours ago instead of reading Amanda Fucking Palmer's blog. My performance and art brains always fight on Thursdays when the studio opens late and I run circus open studio at night.