Rasterbation and Screenprinting, Part the Second: Some Ideas Come to Delicious Fruition

AW FUCK YEAH.

Tell me this doesn't look seriously cool. I'm pretty damn pleased with it- I was going crazy trying to find a blank throw away shirt to test this screen on, but then I remembered my left over Arches 88 paper and decided to just make a quick print. It's dirty- I used fabric ink because I couldn't find my acrylic- but it's gooood. Oh so good.

I ran a couple of shirts today, now that all three new screens are touched up and functional. I used one really nice white tank with the Psyche image:

I like how the image disintegrates over the lace, I might experiment more with that on a negligee I have.

And I worked a skull in white and black (the black version is on a beat up ribbed tank, so not much love there).

PLUS I started experimenting with different parts of the octopus stencil. This is the concept I've been rolling around in my head all along, isolated the tentacles and printing them separately on different parts of clothing.

Poll: More tentacles? Perfect number of tentacles? Less tentacles? (not actually possible on this shirt, but in the foooture, maybe).

Productive weekends FTW, y'all.

New screen designs, and working out the kinks (in the not fun way)

I burned new screens today! But I've done that before- more importantly, I learned how to fix my fuck-ups on the new screens today. This is an important step, because my training with fine art serigraphy dictates that when you mess up a burn, you rend the fabric mesh asunder with your bare hands and rip your acetate stencil into bloody, floppy pieces for good measure. Which is all well and good in someone else's studio, but here in the land of limited resources (reality), I need to stretch my emulsion and screen shelf life as far as humanly possible. So when I fucked up all three burns today, I got creative with my emulsion, filled in the holes with a paintbrush, and wiped out my mistakes with stencil remover.

I'm not completely in love with the images yet, even less so having spent all day touching them up because I can't afford to wipe the screens and re-emulse. I used the rasterbater to enlargify some icons I've been playing with in gimp (a skull, octopus and Le Ravissement de Psyche for sheer perverse fun to see if I could even make it identifiable- see results below).

I only test printed one run, with the octopus, and it was the one that let me know where all the mistakes are. Thanks, free store clothes! I'm also realizing the difficulties in pushing so much INK through the screen, since these are my first full screen prints. What I wouldn't give for a squeegee that's the actual size of my screen to maintain some consistency- that might have to be where the money from my next etsy sale gets funneled to.

(Do you like this shirt? I am Not a Fan, but I am working with it. It will end up in one of my friend's closets, or the cheap-fuck-up-section of my etsy)

Fuck yer audience rough

This is another in the dual performative self/personal self series. It's really just roughed out at the moment, but the character is holding a mask that'll have a cheesy grin on it, and the right bicep will have a tattoo that reads "Fuck yer audience". My housemate Michael sparked the idea for the concept this time, all thanks to their artistic genius.

I have a loooong, much-meditated on bit of writing to accompany this one to the effect of what I as a performer REALLY think of all those beautiful people I weasel money out of, but it's still taking shape and will probably hit articulation sometime when the art is finished.

Still struggling with the eyes, although they're not as bad as the soulless pits my camera makes them out to be in the shot.

Holding this facial expression so I could use it as a reference with the mirror was hilarious. I didn't even know cheek muscles could cramp.